18th May 2006
I guess “the critics” (who exactly are “the critics”?) didn’t care for Ron Howard’s The Da Vinci Code. It premiered at the 59th Cannes Film Festival yesterday (17 May 2006) and was panned by most critics according to Reuters. That makes Ron sad — again according to Reuters.
I enjoyed the book, though I would never say it is a literary masterpiece. I would have figured it would make an entertaining movie. Of course, historically and theologically it is a bunch of bunk… but it’s entertaining bunk nonetheless.
Of course, it will still make tonnes of money considering that most movie-goers don’t really pay much attention to what those “critics” say. And I think many people will see it just so they can see what all the controversy is about.
I will likely see it with my sister who will be in town for the weekend.
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30th August 2005
The Scotsman has a pretty good article on the Da Vinci Code by Brian Hancock entitled, “Cracking the Code isn’t so hard to do.”
On a related note, one of the public lectures I am organizing this fall at Taylor University College is on the Da Vinci Code:
Responding to The Da Vinci Code:
Mary Magdalene in History and Canon
Dr. Jo-Ann Badley
Newman Theological College
Thursday 13 October 2005
Taylor University College
The Da Vinci Code has been on the best-seller list for months because it is a fascinating book. Brown bases his plot on the neglect of Mary Magdalene in the church. How much fact is there in the fascinating? Jo-Ann Badley will review Brown’s book as she explores Mary Magdalene’s role in scripture and the early church.
If you are in the Edmonton area consider yourself invited. If not, the lecture will be made available on my Public Lecture section of my website.
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21st April 2005
Helenann Hartley noted on her blog that the Da Vinci Code won best book at the British Book Awards. On the one hand, as a novel I found Dan Brown’s Da Vinci Code a fun and engaging read, but I wouldn’t think it is the sort of book that should win a such an award! (I assume they have some literary standards for winners??)
On a more positive note, the Da Vinci Code has raised the profile of issues surrounding the development of the NT canon and the feminine divine in popular culture, which I think us academics should capitalize on by organizing public lectures, writing popular articles and books, etc., to deal with these and related topics. (I am hoping to organize a public lecture at Taylor University College in conjunction with the movie release, or perhaps sooner).
In my mind, anything that can raise the public consciousness of these important issues is OK in my books. The only negative thing (that I recall) about the book that comes to mind is its portrayal of the Catholic Church as this secretive oppressive organization. But that’s all the more reason to have good academic responses to such claims in the book!
And of course, we have to remember — it’s only a novel! (But soon to be a movie, then it will have to be reckoned with!).
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