The editor of 11Q5 Psalm 151A and B, James Sanders, argues that 11QPs^a 151A and B, while related to, are not identical with the Vorlage of LXX Ps 151. He further argues that “there can be no hesitancy whatever in affirming that 11QPs 151 is the original psalm” (The Psalms Scroll of Qumrân Cave 11 (11QPs^a); DJD 4 [Oxford: Clarendon Press, 1965; buy from Amazon.com], 60), and that the LXX Psalm is a later translation of an “amalgam” of the Qumran originals (63). Most (but not all) scholars have followed Sanders in his reconstruction of the relationship between the Greek and Hebrew versions of Psalm 151.  Peter Flint considers the Greek version a “transformation of two separate psalms into a single piece” (“Apocryphal Psalms,” Encyclopedia of the Dead Sea Scrolls [2 volumes; Oxford University Press, 2000; buy from Amazon.ca | Amazon.com. ],  2:708), while his Dead Sea Scrolls Bible (HarperCollins, 1999; buy from Amazon.ca | Amazon.com) also popularizes Sanders’s view:

The text found in 11QPs-a represents the original Hebrew with two originally separate Psalms, which the Greek translator has reworked and synthesized into a single Psalm (p. 585).

Beyond the question of the relationship between these psalms, Sanders has little good to say about LXX Psalm 151.  He calls it “meaningless” (DJD, p. 60), and maintains that without the background provided in Psalm 151A, the LXX psalm “makes little or no sense at all” (p. 59). Furthermore, he argues that the individual who brought together the Vorlage of LXX Psalm 151 destroyed “the beauty and integrity of the original” and “sacrificed not only the artistry but also the sense of the one, and probably as well of the other” (p. 63). In his popular work, The Dead Sea Psalms Scroll (Cornell University Press, 1967; buy from Amazon.ca | Amazon.com), Sanders further refers to the Greek version of Psalm 151 as “nearly meaningless” (p. 94) and “comparatively ridiculous” (p. 95).  Sanders is not alone in his low opinion of the Septuagint Psalm 151. For instance, Strugnell echoes Sanders when he describes it as “largely meaningless” (“Notes on the Text,” 259), while Meyer considered it a “dogmatic correction” of a rustic psalm (“Die Septuaginta-Fassung von Psalm 151:1-5,” 172).

While I agree that the Qumran psalms are related to the Vorlage of LXX Psalm 151, there are significant differences between the texts that indicate that their relationship is not so simple, and that the texts are more dissimilar than even Sanders admits.  In fact, I think – in line with the works of Haran, Smith, Segal, and most recently Debel (in part) – that it is more plausible that the Qumran psalm(s) are a later reworking of the shorter Hebrew Vorlage of LXX Psalm 151. Furthermore, in contrast to Sanders, I will argue that LXX Psalm 151 is a coherent text in and of itself, and that it doesn’t need 151A/B to make sense of it. In this regard I argue that while LXX Psalm 151 is shorter, it is in fact a well-constructed midrash on 1 Samuel 16-17.

In fact, I would argue that reading LXX Psalm 151 in the light of the Qumran psalms actually hampers our understanding of it, since the later Qumran versions take the psalm in a slightly different direction. In a recent article, Segal (“Literary Development,” Textus 21[2002], 143), has made the bold claim that

the bias towards the Hebrew version of the psalm has resulted in a skewed view of the meaning of the Greek edition, as all scholars have assumed that this shorter poem [i.e., the LXX] necessarily addresses the same topics as the longer version.

While Segal overstates the case, I concur with his evaluation. In my next post I will explore in more detail the relationship between the Greek and Hebrew versions of this psalm.

It was not until the discovery among the Dead Sea Scrolls of the so-called “Qumran Psalms Scroll” (11QPs-a or 11Q5; see my Scroll Introduction) that contained two Psalms (Ps 151A and B) that were clearly parallel with the LXX 151, that scholars universally recognized that LXX Psalm 151 had a Hebrew Vorlage (i.e., a Hebrew original), though the precise relationship between LXX Psalm 151 and 11Q5 Psalm 151 remained under debate.

Before we discuss the nature of the relationship between the Greek LXX Psalm 151 and the Hebrew 11Q5 Psalms 151A and 151B, it would do us well to carefully examine the psalms in question. I have already provided a translation of LXX Psalm 151 in my previous post; here I provide a translation of Psalm 151A and B as found in column 28 of 11Q5:

I should note that while the translation is my own, the above reconstruction follows that by the scroll’s editor, James Sanders (which I do not entirely agree with, but I’ll discuss that in another post).  The line numbers in the left-hand column are not precise; they reflect the line divisions of the editor.  According to Sanders’s reconstruction, Psalm 151B begins in line 13.

In the actual scroll, the column is laid out as follows:

Here is an English translation:

As you can see, the actual scroll does not divide the Hebrew psalm into poetic lines, but takes up the width of the column with as much text as possible. (By the way, the top of the column [lines 1 and 2] consists of all but the first part of Psalm 134 [LXX Ps 133]).

Comparing Sanders’s line divisions with that of the actual scroll raises an issue common with any analysis of the Dead Sea Scrolls; the issue of editorial reconstruction.  A number of aspects of Sanders’s reconstruction of Psalms 151A and B have been severely criticized by scholars — especially his reconstruction of lines 6-8. That being said, even a quick comparison of LXX Psalm 151 with this text from Qumran suggests some sort of literary relationship between the texts, though as I noted above, the precise nature of that relationship is debated.

• Vered Noam, “The Origin of the List of David’s Songs in “David’s Compositions” (pp. 134-149)

Dahmen proposes a new reconstruction of the beginning of the Psalms scroll based on the techniques developed by H. Stegemann and others. What I find the most fascinating is the help that worm traces and decomposition patterns — as well as computers — play in the reconstruction. His reconstruction is similar to that of Peter Flint’s in The Dead Sea Psalms Scroll & the Book of Psalms (Leiden: Brill, 1997; Buy from Amazon.ca or Amazon.com), though Dahmen omits Psalm 110 from column 4 since its inclusion would make the line and column lengths too large. That seems quite plausible to me.

Who would have thought that worms, decomposition, and computers would all work together to help us reconstruct and interpret ancient biblical scrolls? I find it all quite fascinating.